Heinz Emigholz Movies

A film director confides in his interlocutor. He talks about the working process, about creative blocks, about artistic crises and expressive forces....

The ‘Casa do Povo’ cultural centre in São Paulo, an icon of the secular Jewish workers’ movement: a crumbling theatre...

Max Taurus, a sort of amateur detective, pursues the traces of general omni-present crime back to a partially demolished house. There, the remaining...

Four four-minute image sections and four four-minute sound sections are linked in all combinations of the sound sections with each of the image...

In the 21st part of his Photography and beyond series, Heinz Emigholz projects as usual a series of structures into our brains and from there on to...

A 1908 essay by Adolf Loos is here read by the incomparable Carola Regnier and set to virtual photographs of 18th-century marble inlays at St....

Clonetown 1974 to 1979: a terrorist defector named Charon sits on the edge of oblivion and commentates on the imminent putrification of an abducted...

Stylized, black and white biography of Frances Farmer by author Lynne Tillman and Sheila McLauglin.

A woman on a train.

Sixty-nine of Heinz Emigholz's illustrated notebooks from 1983 to 1996, three sketch books from the 80s and 90s, and cinematic studies of his...

Emigholz presents the buildings of the great American architect Louis Sullivan (1856–1924). “In everything that men do they leave an...

The final part of Heinz Emigholz’s "Streetscapes" series is again a triptych. A prologue examines three buildings from the 1930s designed by...

Le Corbusier [IIIII] Asger Jorn [Relief] contrasts the Villa Savoye, built by Le Corbusier in 1931, and Asger Jorn’s Grand Relief, which the...

Forty-two of Heinz Emigholz's illustratred notebooks from 1974 to 1983, a notebook of Heinrich Emigholz dated 1941, a sketchbook from the 70s,...

A German TV movie

An experimental German film

The third autobiography in the series deals with modern architecture. For the grand finale, he covers a broad historical spectrum: Parabeton tells of...

This film is in effect a slideshow of exquisite single photographic images in sparkling black and white, representing Mikesch’s own version of...

DEMON, subtitled „The Translation of Stéphane Mallarmé´s THE DEMON OF ANALOGY“, includes the Mallarmé text,...